Wednesday, April 10, 2013

Awards for green initiatives & success stories


Mail & Guardian Greening the Future Celebrates a Decade!


In 2013 the Mail & Guardian’s annual flagship, Greening the Future, celebrates a decade of honouring environmental best practice in South Africa. For the past 10 years Greening the Future has publicised innovative efforts to create a cleaner planet without compromising progress. It showcases innovation in renewable energy, action to combat climate change and strategic management of natural resources.

This year new awards for Future Leaders, Rhino Rescue, Community Conservation and Biodiversity Stewardship have been added to the categories of the prestigious flagship. Awards are also given in the following categories: Business, Non-Profit Organisations, Water Management, Energy Efficiency and Carbon Management, Innovation in Renewables, and Schools and Institutions.

The awards are judged by a panel of forward-thinking and experienced individuals involved in shaping environmental sustainability in South Africa. We invite companies, parastatals, NGOs, schools, institutions and individuals to join in the celebration of the Greening Decade by showcasing your success stories in making the world a better place for those who live in it.


To enter go to www. http://greening.mg.co.za/ entries open Friday February 22, 2013 and close on Friday May 3, 2013.

For more information contact:

Tamarin Marshman
Project Manager: Events
tamarinm@mg.co.za
Mail & Guardian
Tel: 011 250 7300
195 Jan Smuts Ave
Rosebank

Monday, April 8, 2013

Artist Opportunity

Call for submissions: StateoftheArt.co.za


StateoftheArt.co.za is inviting South African artists currently studying or who have graduated within the last five years from a recognised higher education art or design course to apply for online representation. Artists working in any visual media can submit works for consideration.

Please complete the Preliminary Application Form by following the link http://www.stateoftheart.co.za/artists/join. All applications will be reviewed by the StateoftheART.co.za Curatorial Panel and the successful artists will be notified by email. The application period closes on the 31st of July 2013.

About StateoftheART.co.za and the StateoftheART Gallery


StateoftheART.co.za is a dynamic art marketplace offering contemporary fine art for sale by South African Fine Arts graduates and emerging artists - we make art more accessible to the world and provide a platform for selected artists to make a living without giving up their artistic vision. These are a few of the benefits that StateoftheART.co.za can offer you as an artist:
  • Opportunity to consign work to the StateoftheART Gallery in Cape Town
  • Free professional portfolio on the www.StateoftheART.co.za website (we take a commission on sales) 
  • Press coverage - in the last few months we have featured in Leadership Magazine, Conde Nast House & Garden and Business Day as well as many online blogs and publications. 
  • Introduction of your work to our corporate clients and collectors both nationally and internationally.

For more information visit www.StateoftheART.co.za or
contact Jennifer on T:021 801 4710

Friday, April 5, 2013

Disbandment of the Green Your Art initiative as a physical entity

Most of you know that this blog has been the digital outlet and representation of a physical movement or initiative based in Cape Town. Last year we did a demonstration on creating recycled paper, homemade glue and plant dye on Pasella. And recently we had a meeting about setting up a GYA team to run projects and extend the reach of the small initiative. In the last GYA newsletter, however, I've expressed my decision to disband the initiative. My commitment to Green Art and the role of creativity in sustainable development is by no means diminished by this act, and I have more time to focus on creating art from waste materials and developing/finding eco-friendly art materials and alternatives. This blog will be kept updated, I will connect and collaborate as an artist with projects, work and initiatives by people involved and interested in Green Art, and I now have more time to dedicate towards making the Green Expo art exhibition a bigger success this year.

The decision not made due to a lack of support from people interested to get involved and help with the initiative, and I really appreciate and value the generous offers of help and involvement. My reasons for making the big decision were based on my personal aims and priorities. If, at all, anyone is interested in fully taking on the running, management and drive of the initiative I am happy to give everything I have as resources. So if you feel THIS strong about the existence and continuation of this project, please contact me at art@janetbotes.co.za!

And now we get to the juicy bits - my reasons. Hopefully someone could learn from this, or maybe it gives you the inspiration and insight towards making important changes in your own life.

The who, why and how of the disbandment of the Green Your Art initiative


I, Janet Botes, have been running the "show" for a few years - first in the form of the 'Ecojunki' movement, then shortly as Greenivate, and finally as GYA (Green Your Art). The project evolved from a platform for my green art projects that didn't seem to fit my other fine art works, which at that stage (from about mid 2007) were mostly self-expressive, abstract art.

As my work evolved and I grew as an artist and person, the two separate directions or styles in my art (abstract, expressive versus eco-friendly nature-focused) started to merge. Which led me towards making Ecojunki and eventually Green Your Art more inclusive - featuring other artists and encouraging artists to work with a more environmentally-sensitive approach.

One of my biggest challenges has been to manage my time in a way that I don't neglect important aspects of my art or of the initiative. I've ended up spending too many hours in front of the computer and not enough time with a paintbrush in my hand, too many hours strategizing and brainstorming and not enough time being in nature.

When assessing and evaluating the situation during the two weeks following the meeting on 16 March, I shared my feelings, concerns and thoughts with my husband, who's walked most of the Ecojunki-GYA journey with me. He reminded me that I've considered 'merging' it with my art practice (e.g. giving eco art workshops under my own artist name rather than GYA), and disbanding the initiative four other times within the last two years. I've felt - and strongly now feel - the need to focus my efforts towards more self-initiated and consolidated projects as an artist, land artist, designer, workshop facilitator and photographer, without the responsibilities and expectations involved with running an initiative representing or affecting other people's projects, interests and investments.

In a sense I am becoming more selfish with my time, but the result of time spent on my passions rather than sticking to something I've outgrown, or something that has outgrown me, will prove itself valuable to everyone who work with me. Essentially I am an artist, and I get great joy from creating new things. Even though I've done a relatively efficient job at running Green Your Art, my management, coordination and organizing skills are not my strengths, and does not serve my purpose on the earth as well as working as a committed full time artist, crafter, and creator. There are several organizations and initiatives that serve as similar collective network or play a connective role within our community in supporting and connecting artists and people with a strong connection to nature and sustainable development. Get involved with these guys:

350.org annually has global campaigns which give ample opportunity to get create and raise awareness for the environment. They also have the following specific art-related campaigns or initiatives to get involved with:

There's also several links on the links page of this blog!

After sharing most of my personal reasons, I'd like to end off with a quick explanation why setting up the team, and sharing responsibilities with other people, would not have been sufficient in truly giving me the time and focus that I crave:
  • Even when having people to help with a project, there needs to be a leader, facilitator, director to organize the responsibilities, people and resources. This is a big responsibility and have proven to be just as time consuming than 'doing things yourself'', your tasks and actions just change. In fact, with growth comes more admin!
  • I find that people are seldom able to take charge, commit or take ownership of something that they didn't conceive or create. This is natural, and of course there is often uncertainty on how much and what you are 'allowed' to do or change within a company, organization or initiative. This keeps the onus of driving the initiative forward mostly, if not solely, on me.
If you have any questions, please leave a comment at the end of this post! I trust, however, that I have given a relatively clear image of my reasoning around the disbandment of Green Your Art.

With no regrets & a warm heart,
Janet Botes

The Site_Specific SIDES Programme: CALL FOR PROPOSALS

click to enlarge

Site_Specific International Land Art Biennale
10 - 17 August 2013, Plettenberg Bay

Site_Specific hereby invites proposals for contemporary site specific land art works with the focus on using natural materials, and to create work that is ephemeral and embracing of the natural beauty of Plettenberg Bay.

20 SIDES ARTISTS


The second Site_Specific International Land Art Biennale will take place in Plettenberg Bay 10 - 17 August 2013. This year, Site_Specific will be opening the event to 15 more artists to create their work in Plettenberg Bay alongside the core group of invited artists from Germany, South Korea and South Africa.

We realised that there are many artists that want to be part of Site_Specific, although we can only financially support a core group of invited artists. Thus we have decided to invite an additional maximum of 20 artists as a ‘fringe’ group on the basis and mutual understanding that they will work independently.

These Site_Specific SIDE artists will have the opportunity to join the invited artists in the programme schedule for the period, including lectures, discussions, workshops and social events. The SIDES work will be on display in the same area as those of the invited core group, and will be included in the Site_Specific catalogue documenting the event.

PARTICIPANTS WILL RECEIVE:

  1. Support in identifying a site for your art work and the permission from all the relevant authorities.
  2. Inclusion in the official programme and catalogue of Site_Specific 2013.
  3. Participation in the evening lectures, discussions, workshops and social events of Site_Specific 2013.
  4. Inclusion and exposure to all media that will cover the event.
  5. On approval of your proposal, you will receive a Site_Specific Participant Passport, that will entitle you to significantly discounted accommodation and other offers at Plettenberg Bay establishments.

CALENDAR

  1. Application deadline: 2 May 2013
  2. Selection of artists: 2 June 2013 
  3. Working on site in Plettenberg Bay: 10-17 August 2013
  4. Opening event: 17 August 2013
  5. Closing and dismantling of art work: 18 August 2013

CONDITIONS

  1. Artists will be responsible for their own transport, accommodation, meals etc.
  2. Artists will be responsible for their own material, tools, realisation and installation of art work.
  3. Artists will accept and obey all the rules and guidelines provided by Site_Specific during the week long event.

COPYRIGHT


Site_Specific reserves the right to publish photographs and films showing the exhibited art works.

HOW TO APPLY


Please send the following information to sides@sitespecific.org.za by 2 May 2013.
  1. A concept drawing of your proposed art work showing it from different angles.
  2. Explanation: title, technique and size of the proposed art work.
  3. List of materials that you plan to use.
  4. Describe a preferred site along the Milkwood Trail in Plettenberg Bay (including Main & Robberg Beach) that you have in mind for the work. Other sites can be considered if relevant.
  5. Supply a time frame for installing your art work and taking it down on 18 August 2013.
  6. Supply your name and contact details (email address and mobile phone number).
  7. Proof of EFT payment, please use SIDE plus your name as payment reference i.e. SIDEnameSurname.

APPLICATION FEE


Please pay ZAR 250.00 into our account to help cover administrative costs.

FNB, Account name: K2102029381
Account no.: 62353123335
Rosebank branch code: 250655
Reference: SIDEyourName

Proposals without proof of payment will not be processed.

Tuesday, April 2, 2013

NESTING by Danien Esselen

Look at these fabulous works by Danien Esselen! Nests, bark hideouts and bulb-like art habitats. I first saw her work at the Gallery @ Grande Provence in Franschhoek, Western Cape, as part of the Walk This Earth Alone exhibition, and recently saw these photographs from her "Nesting" exhibition. Danien Esselen completed a BA (Hon) Fine Arts at the University of Pretoria, but have lived in the country side all her life - growing up with a strong connection to the land and nature. 

Herewith images from the exhibition and excerpts from Danien's artist statement:



"The Nest artworks are a subjective reflection of myself as a woman becoming a mother. The work therefore has a strong feminine quality and focuses significantly on the Maternal. The Nests symbolise a maternal womb; a place of safety, shelter and protection. Each Nest becomes a sacred place where any mother can safely shield and nurture her infant. The intense detail and aesthetic quality in the Nests reflect this fetish and compulsive nature of the female -The Maternal."


"The creation process of these Nests are also very significant. The natural materials are delicately collected, gathered and rummaged for. The material is then delicately handled further and processed until fitting. Then only is that material woven, platted, entwined and manipulated into a Nest structure. All these processes are essential and a significant feminine act. The natural media which is used in creating these nests is very metaphorical, referring to the notion of the caring and nurturing mother/ Mother Earth. "



"These Nest artworks become a symbol of protection and to “memorise a loss and also defend against it.” It is symbolical that nature and the environment are disappearing and being destroyed daily and that it is essential that we protect it. Viewers can interact with these Nest artworks and explore nature at a closer and more intense and spiritual level as one can touch, feel and smell the works, highlighting the sacred and almost spiritual powers nature embodies and what an essential part it is of life and our daily lives.